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<title mode="escaped" type="text/html">SWEAT</title>
<tagline mode="escaped" type="text/html">sweating other artists</tagline>
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<modified>2007-01-31T18:41:51Z</modified>
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<link href="https://www.blogger.com/atom/12181589/117012988096781471" rel="service.edit" title="Cocoon" type="application/atom+xml"/>
<author>
<name>Mendi O.</name>
</author>
<issued>2007-01-29T22:50:00-05:00</issued>
<modified>2007-01-30T05:44:39Z</modified>
<created>2007-01-30T04:04:40Z</created>
<link href="http://blacknetart.com/sweat/2007/01/cocoon_29.html" rel="alternate" title="Cocoon" type="text/html"/>
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<title mode="escaped" type="text/html">Cocoon</title>
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<br/>wrapping myself<br/>in my own thread.<br/>hoping to come out<br/>a butterfly.</div>
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<link href="https://www.blogger.com/atom/12181589/116961708528125109" rel="service.edit" title="What Are We Worth?" type="application/atom+xml"/>
<author>
<name>Mendi O.</name>
</author>
<issued>2007-01-24T00:37:00-05:00</issued>
<modified>2007-01-25T05:14:10Z</modified>
<created>2007-01-24T05:38:05Z</created>
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<title mode="escaped" type="text/html">What Are We Worth?</title>
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<div xmlns="http://www.w3.org/1999/xhtml">Doing research for a new project Keith and I are working on. Reading a lot of interesting books on slavery. I'll say more about that when the time comes, but in the meantime, I'm sitting with what I'm finding out as I'm making my work. In the stacks, I stumbled upon a book I wasn’t looking for; it’s called <a href="http://www2.wwnorton.com/catalog/spring97/weareyour.htm">
<span style="font-style: italic;">We Are Your Sisters: Black Women in the Nineteenth Century</span>
</a> and it was edited by Dorothy Sterling. I opened to a random page and what I read hit me hard. A mother and daughter who had been separated due to slavery for twenty years had reconnected and started writing to one another. The daughter was free and was hoping to buy freedom for her mother and brother. The mother, Elizabeth Ramsey, writes to her daughter:<br/>
<blockquote>
<br/>I said in my letter to you that Col. Horton would let you have me for 1000 dol. or a woman that could fill my place. I think you could get one cheaper where you are than to pay him the money. . . . I think that 1000 dollars is too much for me. You must writ very kind to Col Horton and try to Get me for less money. I think you can change his Price by writing Kindly to him.</blockquote>
<br/>What hit me was learning what comes along with the knowledge that one is property. I had never thought about the fact that my ancestors must have been knowledgeable about things like how much a person goes for in Texas, versus Ohio. Or how much they were each worth, individually, in a dollar amount, such that a dollar amount such as $1000 could be exorbitant. (Did they often assess one another that way, thinking of dollar amounts when they noticed each other's physical qualities?) Or the way suggesting that another person come be a slave in one's place could be discussed as a matter of fact if one were writing one's free daughter and hoping to meet one's own grandchildren. It was the matter of fact way that she thought through what it would take. Of course, of course, but it opened up a whole world of sorrow for me to read that letter. How are we still dealing with this kind of knowledge today? What is the after-image?<br/>
<br/>For the record, the daughter was able to buy her mother for $900.</div>
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<link href="https://www.blogger.com/atom/12181589/116911460834471403" rel="service.edit" title="Words to the Wise: Sandra Cisneros" type="application/atom+xml"/>
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<name>Mendi O.</name>
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<issued>2007-01-18T05:31:00-05:00</issued>
<modified>2007-01-18T10:38:25Z</modified>
<created>2007-01-18T10:03:28Z</created>
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<title mode="escaped" type="text/html">Words to the Wise: Sandra Cisneros</title>
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<span style="font-style: italic;">I love <a href="http://www.sandracisneros.com/home.html">Sandra Cisneros</a>' work. When I first read her I thought I was going to study her intensely so I could tap into whatever she was working with, but after a powerful experience  researching her for a course I took called Woman as Writer, I didn't really come back to pick up what I'd started. Well, I did track down an address for her and write her a letter (this was pre-Internet), but it came back unopened with the words: no longer at this address. By the time it came back I'd decided it was a silly letter and that it would be better just to study more than to embarrass myself in writing. Anyway, Cisneros recently gave Ramola D did an interview at <a href="http://www.macondoworkshop.org/html/about.html">Macondo</a>, an invitation-only summer writing workshop she (Cisneros) runs in Texas. The interview was published last year in <a href="http://www.awpwriter.org/magazine/pastissues/twcmaysum2006.htm">The Writer's Chronicle</a>. Reading her words really opened something up for me and I've been dipping into it for inspiration. I'm gearing up to teach some of the lessons I've learned from it this semester, so I thought I'd post a quote here:</span>
<br/>
<br/>
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<br/>
<br/>"[W]hat I’m looking for is a kind of generosity with the characters and a heart that understands them, beyond holding grudges or getting revenge. I really believe when we write there are moments, a few seconds, when we become the Buddha, when the writing transcends us, when we’re writing in the light. It’s channeled through us so the writing can be wiser, more loving—and then we go back to being ourselves . . . I think you have to get very humble, and fearless, for the writing to be wiser. You have to be in a zone of absolute humility for that light to be channeled through you."</div>
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<name>Mendi O.</name>
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<issued>2007-01-18T01:14:00-05:00</issued>
<modified>2007-01-18T10:45:49Z</modified>
<created>2007-01-18T06:23:29Z</created>
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<title mode="escaped" type="text/html">Words to the Wise: Czeslaw Milosz</title>
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<br/>
<br/>
<span style="font-style: italic;">A year or so ago, I was instructing my students to write an ars poetica and went to my poet-friends for some brainstorming on how to write about the art of poetry. <a href="http://reggieh.blogspot.com/">Reggie H</a>. sent me the poem "<a href="http://www.poemhunter.com/poem/ars-poetica/">Ars Poetica</a>?" by <a href="http://en.wikipedia.org/wiki/Czes%C5%82aw_Mi%C5%82osz">Czeslaw Milosz</a>. Here's an excerpt I want to think more about:</span>
<br/>
<br/>
<blockquote>"In the very essence of poetry there is something indecent:<br/>a thing is brought forth which we didn't know we had in us,<br/>so we blink our eyes, as if a tiger had sprung out<br/>and stood in the light, lashing his tail."</blockquote>
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<link href="https://www.blogger.com/atom/12181589/116887302556282927" rel="service.edit" title="Feeling It: Alice Coltrane / Turiyasangitananda" type="application/atom+xml"/>
<author>
<name>Mendi O.</name>
</author>
<issued>2007-01-15T08:32:00-05:00</issued>
<modified>2007-01-18T07:03:46Z</modified>
<created>2007-01-15T14:57:05Z</created>
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<title mode="escaped" type="text/html">Feeling It: Alice Coltrane / Turiyasangitananda</title>
<content mode="escaped" type="text/html" xml:base="http://blacknetart.com/sweat/sweat.html" xml:space="preserve">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.dustygroove.com/images/products/c/coltra_alic_journeyin_101b.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px;" src="http://www.dustygroove.com/images/products/c/coltra_alic_journeyin_101b.jpg" alt="" border="0" /&gt;&lt;/a&gt;Yesterday I heard the word that Alice Coltrane  passed last Friday from &lt;a href="http://cherrylfloyd-miller.blogspot.com/2007/01/alice-coltrane-those-who-know-what-ive.html"&gt;Cherryl's blog&lt;/a&gt;  and then saw it confirmed in the news. I don't have many words, but do feel the need to say something about this, having been profoundly moved by her work, as have so many people. Coltrane's &lt;a href="http://en.wikipedia.org/wiki/Journey_in_Satchidananda"&gt;Journey in Satchidananda&lt;/a&gt; holds a special place for me because of the ways it can mystically and consistently heal me. It never ceases to amaze me that no matter is going wrong, when I'm soul sick, I can put on this album and something will begin to shift within me. I know I'm not alone in this. So many others have mentioned it in passing. There's a science to it that I don't quite understand, but I think it has to do with the balancing of the gravity of Cecil McBee's bass playing and the lightness of Alice Coltrane's harp and piano playing. But perhaps that is just what I can hear.&lt;br /&gt;&lt;br /&gt;This summer, I mentioned to Keith that the person I thought it would be most meaningful for &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.vervemusicgroup.com/images/local/toenails/f88e69f921f94f74b886d3c1ddf18533.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px;" src="http://www.vervemusicgroup.com/images/local/toenails/f88e69f921f94f74b886d3c1ddf18533.jpg" alt="" border="0" /&gt;&lt;/a&gt;me to hear in person would be Alice Coltrane. About a month later, we started seeing her picture around town and we read in Essence that she not only had a new album out but also would be playing in Newark. We of course picked up the CD and knew we had to go to the concert. &lt;a href="http://www.vervemusicgroup.com/product.aspx?ob=n&amp;src=art&amp;amp;pid=11012"&gt;Translinear Light&lt;/a&gt; comes decades later and has a different sound, but Coltrane's healing science is still at work. There is a certain peace I have while listening to  "Sita Ram" -- particularly when she plays the lower frequencies on the organ. In fact, hearing it live when she played in Newark was particularly powerful because we could feel the frequencies physically moving us. I play "Sita Ram" and "Satya Sai Isha" frequently, both because they move me and because I want to understand how they move me. They are both Hindu hymns played as if they are Black American Christian hymns. Or perhaps I should say that is how I hear them.&lt;br /&gt;&lt;br /&gt;Or maybe I should say what I really mean. The too simple way to say it is that I knew it would be meaningful for me to see Coltrane live (and not just listen to her album) because I appreciate the ways she is black and universal.  It's not just about the ways she brings Black American and Indian musical traditions together, but that is a focusing point for my attention. I have more to say about her but I'll stop here. I'm going to participate in some MLK day events. Later, I'll come back to AC and James Brown. Love to all, Mendi&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://images.starpulse.com/Photos/Previews/Alice_Coltrane_umvd002.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px;" src="http://images.starpulse.com/Photos/Previews/Alice_Coltrane_umvd002.jpg" alt="" border="0" /&gt;&lt;/a&gt;</content>
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<author>
<name>Mendi O.</name>
</author>
<issued>2006-12-14T11:54:00-05:00</issued>
<modified>2006-12-17T09:34:20Z</modified>
<created>2006-12-14T17:07:31Z</created>
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<title mode="escaped" type="text/html">Political Drama / Black History Museum</title>
<content mode="escaped" type="text/html" xml:base="http://blacknetart.com/sweat/sweat.html" xml:space="preserve">&lt;span style="font-style: italic;"&gt;Some things I want to think about more when I get the time:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.nytimes.com/2006/12/14/us/14tookie.html?th&amp;emc=th"&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt; Black History Trove, a Life’s Work, Seeks Museum &lt;/b&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;An article by Jennifer Steinhauer about Mayme Agnew Clayton's amazing collection of artifacts from African-American history. I think this collection will grow in importance over the years. I'm struck by the work her son (Avery Clayton) believes culture can do. Am collecting information about what people think culture does or can do. More later.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Her collecting grew from her work as a librarian, first at the &lt;a href="http://topics.nytimes.com/top/reference/timestopics/organizations/u/university_of_southern_california/index.html?inline=nyt-org" title="More articles about University of Southern California"&gt;University of Southern California&lt;/a&gt; and later at the University of California, Los Angeles, where she began to build an African-American collection. In 1969 she helped establish the university’s African-American Studies Center Library, and began to buy out-of-print works by authors from the Harlem Renaissance. Around that time, Ms. Clayton invested in a bookstore. When the principal owner squandered their profits on the horses, Mr. Clayton said, his mother agreed to take her partner’s collection of black-oriented books rather than take him to court. . . . “One of the things that culture does is that it works like a family,” Mr. Clayton said. “If you know you come from a good family, it enables you to go out into the world, no matter what happens to you, and do O.K. It is the same thing with culture: If you know you come from a great people, it gives you that same feeling.”&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://www.nytimes.com/2006/12/14/arts/14clay.html?th&amp;emc=th"&gt;http://www.nytimes.com/2006/12/14/arts/14clay.html?th&amp;amp;emc=th&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt; Political Drama Re-enacts Moments in a Death Chamber &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Barbara Becnel and Shirley Neal wrote and produced a reenactment of the execution of Stanley Tookie Williams. The article is by Jesse McKinley. I'm thinking a lot about art that intends to be political these days, who shows up for it, and how it does its work. What I want to remember to think about is the way simply re-presenting what happened can be a comment on it. I saw in the news today that executions have been suspended in Florida and "&lt;a href="http://www.nytimes.com/2006/12/16/us/16death.html?hp&amp;ex=1166245200&amp;amp;amp;en=b51a59048b890216&amp;ei=5094&amp;amp;partner=homepage"&gt;a federal judge ruled that the lethal injection system in California violated the constitutional prohibition of cruel and unusual punishment&lt;/a&gt;." How much does  how we understand what is happening play a role in this? How much does art have to do with how we understand what is happening. &lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;blockquote&gt;“This is political theater in the extreme,” Ms. Becnel told a crowd of about 150 people who gathered to watch the performance. “But it’s political theater in the extreme because we need it.” . . . On Wednesday, the theatrical re-enactment began at 12:01 a.m., the time Mr. Williams entered the death chamber. . . . With a simple set — folding chairs, a gurney and a platform — the play’s action was minimal: three witnesses stood, a guard strapped Mr. Tillis to a gurney, a nurse fumbled with an IV. Only once did anyone speak, when Mr. Tillis asked the actor playing the frustrated nurse whether she knew what she was doing. The entire performance took about 12 minutes — about a third of the actual execution time.&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://www.nytimes.com/2006/12/14/us/14tookie.html?th&amp;emc=th"&gt;http://www.nytimes.com/2006/12/14/us/14tookie.html?th&amp;amp;emc=th&lt;/a&gt;&lt;a href="http://www.nytimes.com/2006/12/14/arts/14clay.html?th&amp;amp;emc=th"&gt; &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;</content>
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<link href="https://www.blogger.com/atom/12181589/116552384902867166" rel="service.edit" title="My Mom Announces Her Retirement" type="application/atom+xml"/>
<author>
<name>Mendi O.</name>
</author>
<issued>2006-12-08T00:34:00-05:00</issued>
<modified>2006-12-12T14:48:25Z</modified>
<created>2006-12-07T20:37:29Z</created>
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<title mode="escaped" type="text/html">My Mom Announces Her Retirement</title>
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<img align="left" border="1" hspace="3" src="http://chronicle.augusta.com/images/headlines/120706/1627867_80.jpg"/> <a href="http://www.paine.edu/Administration/PresidentsOffice/PresidentsProfile.htm" style="font-style: italic;">Paine College</a>
<span style="font-style: italic;">'s first woman president said Wednesday that she will retire at the end of this academic year.</span>
<br/>
<br/>
<p/>
<blockquote>    <p>. . . What's her proudest moment from her tenure? It's hard to single out one, she said. But she offered several: increasing student enrollment and graduation rates; boosting the private college's endowment; garnering re-accreditation for Paine; and renovating the historic library in which she made her announcement Wednesday. She also said she was proud of the increasing numbers of Paine graduates who pursue graduate-level degrees at other institutions . . .<br/>
</p>
<p>
<a href="http://chronicle.augusta.com/">Augusta Chronicle</a>, Dec 7, 2006<span class="writer">
<mcc byline1="">, Jeremy Craig</mcc>
</span> | <span class="designation">
<mcc byline2="">Staff Writer</mcc>
</span>
</p>
<div id="byline">      </div>
</blockquote>
<p/>
<br/>Go mom!</div>
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<author>
<name>Mendi O.</name>
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<issued>2006-12-07T15:04:00-05:00</issued>
<modified>2006-12-07T20:11:01Z</modified>
<created>2006-12-07T20:10:03Z</created>
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<span style="font-style: italic;">Newark, NJ: A woman and her grown daughter get on the bus and sit behind another grown woman from the Southern United States.</span>
<br/>
<br/>
<span style="font-weight: bold;">Daughter</span>: Did I tell you that everyday on my other bus, there's a girl who looks like L?<br/>
<br/>
<span style="font-weight: bold;">Mother</span>: You should ask her if that's her.<br/>
<br/>
<span style="font-weight: bold;">Daughter</span>: I'm not going to talk to her, it might not be her.<br/>
<br/>
<span style="font-weight: bold;">Mother</span>: I always talk to people who look familiar. Just walk up to her and say "Are you L?" and if she says no, just tell her she looks like someone you know. She won't be offended.<br/>
<br/>
<span style="font-weight: bold;">Daughter</span>: Mom, they're young. People kill you these days.<br/>
<br/>
<span style="font-style: italic;">All three woman bust into laughter.<br/>
<br/>
</span>
</div>
</content>
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<author>
<name>Mendi O.</name>
</author>
<issued>2006-12-06T18:46:00-05:00</issued>
<modified>2006-12-07T00:18:03Z</modified>
<created>2006-12-06T23:55:42Z</created>
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<title mode="escaped" type="text/html">It's Happening Again</title>
<content mode="escaped" type="text/html" xml:base="http://blacknetart.com/sweat/sweat.html" xml:space="preserve">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.poets.org/images/authors/469_ClaudiaRankinSmall.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://www.poets.org/images/authors/469_ClaudiaRankinSmall.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;In the last seven days, three people have told me I should read &lt;/span&gt;&lt;a style="font-style: italic;" href="http://www.poets.org/poet.php/prmPID/469"&gt;Claudia Rankine&lt;/a&gt;&lt;span style="font-style: italic;"&gt;'s book &lt;/span&gt;&lt;a style="font-style: italic;" href="http://www.graywolfpress.org/component/page,shop.flypage/product_id,49/category_id,0485aa93fa0558fb1f755721e776984d/option,com_phpshop/"&gt;&lt;font&gt;Don't Let Me Be Lonely.&lt;/span&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt; So it looks like I have another thrilling assignment. I'm not through gearing up for Roberson yet.&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;Speaking of Roberson, I found this on the Princeton library website today:&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; Wednesday, Dec. 13, 7:30        p.m. Princeton public library.&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; U.S. 1        Poets Invite: Anne Marie Macari and Ed Roberson.&lt;/span&gt; Macari's second book, Gloryland, was published last year. Her first book, Ivory Cradle, won the APR/Honickman first book prize in 2000. Her poetry has appeared in        numerous magazines and she is the recipient of the 2005 James Dickey Prize for Poetry from Five Points magazine. Roberson has published seven books of poetry, one of which was a winner of the &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204);" id="lw_1165449021_0"&gt;Iowa&lt;/span&gt; Poetry Prize, and another in the National Poetry Series Competition. Atmosphere Conditions (2000)        was nominated by the Academy of American Poets for the Lenore Marshall        Award.&lt;span style="font-family:'PrimaSans BT,Verdana,sans-serif';"&gt; Princeton Public Library / 65 Witherspoon St. / Princeton, NJ, 08542 /Tel: 609-924-9529&lt;/font&gt;&lt;br /&gt;&lt;/span&gt;</content>
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<author>
<name>Mendi O.</name>
</author>
<issued>2006-12-05T01:49:00-05:00</issued>
<modified>2006-12-13T23:50:55Z</modified>
<created>2006-12-05T06:52:33Z</created>
<link href="http://blacknetart.com/sweat/2006/12/granny-peace-brigade.html" rel="alternate" title="Granny Peace Brigade" type="text/html"/>
<id>tag:blogger.com,1999:blog-12181589.post-116530155386213554</id>
<title mode="escaped" type="text/html">Granny Peace Brigade</title>
<content mode="escaped" type="text/html" xml:base="http://blacknetart.com/sweat/sweat.html" xml:space="preserve">&lt;img src="http://www.akilaworksongs.com/images/biopic_sonia.jpg" align="left" /&gt;Mother/Sister &lt;a href="http://www.poets.org/poet.php/prmPID/276"&gt;Sonia Sanchez &lt;/a&gt;alerted us that she had been arrested for attempting to enlist at a Philadelphia military recruitment center with other &lt;a href="http://grannypeacebrigadephiladelphia.org/index.php?option=com_content&amp;task=view&amp;amp;amp;amp;id=51&amp;amp;Itemid=40"&gt;grandmothers&lt;/a&gt;. They asked to be sent to Iraq in place of their (or all of our) grandchildren. They were charged with trespassing and went to trial in Philadelphia last Friday. Sanchez has long been a model for me of how to live powerfully, with a full vision of how to use what you have to do what you can. &lt;a href="http://www.tarabetts.net/"&gt;Tara Betts&lt;/a&gt; reports that all members of the Granny Peace Brigade were acquitted.&lt;br /&gt;&lt;br /&gt;Here are some &lt;a href="http://picasaweb.google.com/racheleliza.griffiths/GrannyPeaceBrigadeSoniaSanchez"&gt;photos&lt;/a&gt; of the brigade by poet &lt;a href="http://louderarts.com/poets/griffiths/"&gt;Rachel Eliza Griffiths&lt;/a&gt;. Note the presence of actress &lt;a href="http://www.vinieburrows.com/"&gt;Vinie Burrows&lt;/a&gt;.</content>
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